Musings on Romance

Category: C reviews (Page 2 of 20)

Ex Appeal by Cathy Yardley, narrated by Jenapher Zheng and David Lee Huynh

Ex Appeal by Cathy Yardley, narrated by Jenapher Zheng and David Lee Huynh. Not as successful for me as the previous book in the series and the narration was just okay.

Illustrated cover of a dark-haired Asian American man looks over his shoulder at the fair-haired white woman sitting behind him who is also looking back over her shoulder at him. They are surrounded by a love-heart made of a boa constrictor on one side and a plant (vine) on the other and a turtle, fish and a lizard.

 

Last year I read book two in Cathy Yardley’s Ponto Beach Reunion series – Gouda Friends – and loved it so I was keen to try book three (I have yet to backtrack to the first book but I’ve heard good things). I decided to try Ex Appeal on audio because why not, right?

The “Nerd Herd” is a group of friends from Ponto Beach California who went to school together and have remained close. Vinh and Tam Doan are twins. Tam’s HEA came with Josh in Gouda Friends. In that book I learned that Vinh had dated Emily MacDonald throughout high school and into college but they had split up very acrimoniously. Vinh had stayed in New York after college and worked in a high powered finance job. Emily returned to Ponto Beach and they had not seen each other since the break up apart from at their 10 year high school reunion. It did not go well.

Emily is an amateur hacker. She came from money but when her father died shortly before she and Vinh broke up, she returned home to find that the family were deeply in debt. Emily has taken on the role of family caretaker. This includes being responsible for the drain that is the money pit of the family home. Emily’s mother is flighty and not terribly competent. She’s never had to be; first her husband looked after her, now it is Emily. Emily’s dream of becoming a professional “white hat” hacker went by the wayside because there was no money to pay for the necessary qualification. Instead she picked up a series of low-paying call centre helpdesk jobs.

While Emily struggled career-wise, Vinh’s star continued to rise. He’s making a lot of money and toeing right up to the ethical line to keep his client’s finances how they like them. He’s been made a vice-president of the company he works for and things are looking good for him. If he’s lonely and isolated, well that’s just his life.

Things take a turn when the book begins, about a year after the 10 year reunion which (I believe) started off the series. One of Vinh’s big accounts is missing $10 million. Only Vinh has access to the account. Suddenly instead of being successful, he’s suspended and accused of stealing. He heads home to Ponto Beach for “Friendsgiving” to lick his wounds and make a plan. In order to prove his innocence and get some payback (hopefully) against whoever hacked his account, Vinh asks Emily for help. He knows, despite everything, that he can trust her.

At first, Emily is not just “no” but “hell, no” but she quickly sees that Vinh is in a world of trouble. She’s soft-hearted. As much as Vinh broke her a decade earlier by splitting up with her and putting his career before their relationship, she cannot stand to see him lose his career and potentially more, when she can help. She’s not above a bit of payback herself while she’s at it though. So she makes a deal with him; she’ll help him discover who hacked his account and stole the money and he has to do whatever she says. And, when it’s all over, he leaves and makes sure they never see one another again.

Vinh and Emily have never stopped loving one another. Vinh had his reasons for breaking up with Emily. Some of them were even good. I liked that neither one of them were perfect and that there was a great deal of nuance about their relationship then, what went wrong and why Vinh did what he did. But Vinh made mistakes nonetheless – neither he nor Emily were completely right or completely wrong.

As Vinh and Emily work together to clear his name, their forced proximity works its magic and they find their old chemistry is even stronger than it was.

Both have grown over the intervening decade and Emily is more open to seeing herself as part of the problem rather than the victim. Vinh is finally willing to tell Emily what really happened.

Still, Vinh is significantly career-driven and is quite single-minded about it. The core conflict harks back to their original breakup – will Vinh finally choose Emily over his career?

The subplot involving Vinh’s work and the trouble he’s in was resolved by a bit of deus ex machina which felt a little bait-and-switchy. On the one hand, it is probably realistic that Emily could not have done everything on her own with the equipment and time constraints she had. On the other, the introduction of a new character whose role it was to solve the problem and nothing else felt way too convenient.

The relationship stuff was more compelling to me and more successful. I was glad that Emily and Vinh met each other halfway and had honest discussions about what they both wanted and what would make them happy.

The narration was okay. There was nothing particularly stellar about it. It was serviceable but not great. Of the pair, I preferred David Lee Huynh’s performance to that of Jenapher Zheng. Ms. Zheng had an uneven pace which did not always work for me. There were times when the flow of the sentence was interrupted which, while not actually changing the meaning of the text, made it a little harder to understand. It was the story rather than the narration which kept me listening. Even so, I did find myself taking some breaks along the way. The audiobook was one I found it easy to put aside. Largely that was due to the narration but there was some contribution from the story as well; it was too long.

I can’t say the narration was bad. But it was just okay for me. It did not particularly add to the story but it did not significantly detract from it either. We have said before at AudioGals that when it comes to audio, it’s all about the narrator/s. What makes me want to listen to a book as opposed to reading it, is all about that narrative performance. For me, I think I’ll be reading the other books in the series rather than listening.

Grade: C

Bet On It by Jodie Slaughter, narrated by Angel Pean

Bet On It by Jodie Slaughter, narrated by Angel Pean. Much heavier in tone than I expected.

Illustrated cover with a lilac background, showing a curvy Black woman next to a giant bingo sheet on the other side of which is a white guy. The bingo sheet is dobbed with love hearts.

 

I’m usually really good at ignoring a cover image and not falling for the “illustrated cover equals romantic comedy” trap but with Bet On It I slipped and fell in. To be fair, there is a content note right in the beginning saying that the book deals with mental illness, which I knew already from the blurb:

The first time Aja Owens encounters the man of her dreams, she’s having a panic attack in the frozen foods section of the Piggly Wiggly. The second time, he’s being introduced to her as her favorite bingo buddy’s semi-estranged grandson. From there, all it takes is one game for her to realize that he’s definitely going to be a problem. And if there’s anything she already has a surplus of, it’s problems.

In Walker Abbott’s mind, there are only two worthwhile things in Greenbelt, South Carolina. The peach cobbler at his old favorite diner and his ailing grandmother. Dragging himself back after more than a decade away, he’s counting down the days until Gram heals and he can get back to his real life. Far away from the trauma inside of those city limits. Just when he thinks his plan is solid, enter Aja to shake everything up.

A hastily made bingo-based sex pact is supposed to keep this…thing between them from getting out of hand. Especially when submitting to their feelings means disrupting their carefully balanced lives. But emotions are just like bingo callers—they refuse to be ignored.

but I really wasn’t expecting the book to be as heavy in tone as it was. After all, there’s a sex pact! Those expectations affected my experience of the book. Dear AudioGals reader, if you do not have the same expectation going in, this book may well work for you much better than it did for me.

The mental health representation in the book is excellent. It’s accurate and sympathetic. And detailed. At times it felt more like a primer for how to be friends with someone with a mental illness than a romance novel. The focus on mental illness and mental health took up a lot of real estate in the novel which I also wasn’t expecting.

There is a strong focus on Aja making friends in her new town, which was incredibly important to her but it, too, took up a lot of space in the story which wasn’t time she was with Walker. I love strong female friendships, but I really love a lot of the main characters together and given a choice I’ll pick the latter most of the time. This is very much a personal preference so YMMV.

There were some laughs for me in the book (the reference to an intervention for example) but they were few and far between.

More than anything else though, it took a long time for anything to happen and there was a lot of detail about the things that did, which only served to slow the pace down. I found myself getting bored and interrupting the book to listen to other things instead. Always a bad sign.

I’ve read and listened to plenty of novels with great mental health rep which were also moving, entertaining, funny and/or otherwise very enjoyable. But Bet On It felt very dense to me (mostly because of that slowness factor) and there were too-few lighter moments to break things up. I had been hoping for lots of snappy banter; more zing and sizzle, less internal monologuing.

The sex was scorching hot though. Ms. Slaughter sure knows how to write a sex scene.

The narration was good but not good enough to get me over the hurdle of the slow pace of the story and its density. The character voices were well differentiated. I particularly liked Miss May’s characterisation.

I’m honestly not sure if Ms. Pean’s pacing was just a little slow or if it was entirely the story but either way, I found myself impatient for things to move faster.

I liked the accents used for the various characters and the differentiation given to them. I would certainly listen to Ms. Pean again.

I’d also listen or read more from Jodie Slaughter but I might do a bit more research first so that my expectations were better calibrated beforehand.

Grade: C

May Round Up

Monthly Mini Review

Rear view of a woman walking into a snow storm in a city, a bright light ahead of herSolar Fury by EA Chance, narrated by Eva Kaminsky – C+ I came across this book recently and saw it was available via Audible Plus with a trusted narrator so I decided to give it a try. The premise was really fascinating; a solar flare causes society to falter and suddenly nothing works anymore. No satellites, no GPS, no phones, no internet. The lead character is Dr. Riley Poole. She’s an orthopaedic surgeon who’s at a conference in Washington DC with her young teenage daughter, Julia, when the solar flare occurs. Riley is a widow with 3 children – that’s right -3. The other two were left at home in Colorado with her parents. The other two children don’t feature strongly in the book, apart from being the motivation for Riley to get home to them. It was also unclear exactly why Riley took Julia with her given that poor Julia had to spend her days in the hotel room while Riley was the conference. They did eat meals together and did some sightseeing after hours but as holidays for a teenager go, it wasn’t ideal. At the conference. Riley meets Dr. Neil Cooper (“Coop”), a respected heart surgeon and they strike up a flirtation. After the solar flare, Riley, Julia and Coop, together with a young girl whose parents are missing, go on the road trying to make it to Riley’s family in Colorado.  Over the course of the book, Coop and Riley become closer and there is a romantic HEA for them by the end. (That’s not really a spoiler – there are 2 other books in the series and the blurb for book 2 makes it obvious.)

I’m not an expert on solar flares but the setup seemed authentic to me and made for an interesting post-apocalyptic premise. But from there, things fell down a bit. Continue reading

April Round Up

Monthly Mini Review

illustrated cover of a white couple on a bus, he's napping and manspreading and she's kind of embarrassed but smilingSeatmate by Cara Bastone, narrated by Amanda Ronconi, Zachary Webber, Josh Hurley, Carol Monda, Corey Allen, Allyson Johnson, Eric Yves Garcia, Dina Pearlman & Tanya Eby – C I enjoyed the first two audio novellas in the Love Lines series – Call Me Maybe  and Sweet Talk – so I was keen to listen to book 3, Seatmate. Unfortunately I didn’t find it as charming or engaging as the earlier two novellas which both were about the B+ range for me. Seatmate is a different story altogether. Rather than most of the relationship being on the phone as is the case with the earlier two books, this time, most of the plot takes place over about 5-ish hours during a journey between Boston and New York – first by bus and then by other means of transport. This time there is also a full cast rather than just the dual narration of the first two novellas. Seatmate was an almost real-time novella, whereas the other books take place over a greater period. For me, this meant that the boring bits were skipped in the first two books but not so much in the third one. Continue reading

On Location by Sarah Echavarre Smith, narrated by Donnabella Mortel

On Location by Sarah Echavarre Smith, narrated by Donnabella Mortel. Great narration but I had mixed feelings about the story.

illustrated cover of a dark haired woman holding a camera with a man's face reflected in the lens. In the background is Canyonlands National Park, Utah

 

Alia Dunn is a Filipino American working as an assistant producer for the Expedition TV network which specialises in travel-related shows – I imagine it something like a boutique Discovery channel. She dreams of running her own show and when On Location begins, she’s despairing that she’s blown her chance. Her pitch for a series “Discover Utah” about the national parks in that state was turned down by the boss and she’s feeling glum on the subway heading home. She’s particularly crushed as the series was inspired by summer trips she took with her brother and her Apong Lita (her grandmother) as a child when her parents were away in the military and the series was to be dedicated to her beloved and much missed grandparent. All is not terrible, though, as a handsome and built guy gives up his seat for an elderly woman, partially because it was the right thing to do and partially because he wanted to stand next to Alia. Inspired by a comment the boss made, she decides to “take a risk” and ends up going on the best date of her life with the “subway hottie” who identifies himself as Drew.

Unfortunately he ghosts her the next day so it goes nowhere. Alia puts it down to her viral tweet of the subway hottie (a photograph of him she took and posted without his knowledge or permission I might add – way not okay Alia!). She thinks he’s seen it and was unhappy about the invasion of his privacy. (Well, duh.)

The next week at work things take a turn for the better when her Discover Utah series is suddenly un-rejected. Alia has everything she’s ever wanted professionally at her fingertips. There’s only one catch: the boss chose the host and he’s a D-List ex-reality TV star with a massive attitude, an arrest record and a drug and alcohol problem. Alia does get to choose her crew however and her mentor recommends a freelance field coordinator to round out her team. His name is Andrew. I think you see where this is going, right?

As it happens, Drew didn’t ghost Alia at all. He also wasn’t upset about going viral on Twitter (why?). No, he had a tragic phone accident which not only ruined his phone but also the SIM and as a result he lost her contact information. As they had not exchanged surnames he had no way to find her. Jaded Alia thinks it’s a line at first but it becomes apparent that Drew is not like that.

Alia has a lot of trouble with Blaine, the host. Drew steps in and guides Blaine through his lines on every take. Drew had always longed to be a host but has terrible stage fright. However, when he’s guiding Blaine, no stage fright is obvious. Mostly this is because he’s not “on” for these performances but the rest is the ease he feels with Alia. For her part, Alia sees in Drew a natural charisma and screen presence. Drew is fantastic at everything he does. I think you see where this is going too.

As Drew and Alia get to know one another at the various beautiful Utah locations, their mutual attraction blossoms and they begin a fling. She had a bad experience with a cheating director earlier in her career and it has made her very relationship-shy so she’s very sensitive to being gaslit and lied to – to the point where she protects her heart rather than take a risk.

The thing is, Drew is so nice and practically perfect in every way that listeners know Alia’s fears are unfounded. I liked him quite a bit for the most part but I admit I lost some respect for him when he was just too much of a doormat with Alia at the end.

Drew is wonderful all the time – except when the plot calls for him to do something a bit not nice. It didn’t fit his character at all and jarred.

Alia repeatedly (why did she not learn??) misunderstands Drew’s words or actions and this leads to my least favourite trope, the Big Mis. Only there are multiple “mises” – mostly fairly small, leading up to the big one near the end. I didn’t like how Drew just accepted Alia’s actions as perfectly reasonable. She mistrusted him and, for the most part, didn’t use her words to clarify things and thought the worst of him over and over again. But Drew is all “I understand and it’s okay.” In the end, I thought he was just too nice.

The middle of the book dragged a little with not much happening except a lot of sex and sneaking around so the rest of the crew wouldn’t twig to their relationship. Interspersed with creative and hot sex scenes was a lot of “I’ll tell him I want a real relationship tonight” followed immediately by “Obviously he doesn’t feel the same way as me because I’ve just read into something he’s said or done so now I’ll stay quiet” – rinse and repeat. I was frustrated by it the first time but it kept happening. Thank God for assistant producer and best friend Hayley who said what I was thinking – “just talk to him, you dummy!!”.

The narration was quite good and made a lot of difference to my decision to persist and finish the book. There were a few small errors here and there and one or two occasions when the syntax of the sentence was altered by too long a pause at the wrong place but for the most part, Ms. Mortel’s performance was very good and I’d happily listen to her again. Her male character voices were different and believable and didn’t hinder me sinking into the listen and she had a good range of accents and character voices generally.

Ms. Mortel is a Filipino American actress and, given that the main character in On Location is also Filipino American, this worked very well. Her knowledge and familiarity with the Tagalog sprinkled throughout the novel was obvious. I appreciated the representation in addition to Ms. Mortel’s overall skill.

There were parts of On Location that worked well for me and the narration was certainly a plus but there were story aspects which didn’t work for me at all.

Grade: B-/C+

January Round Up

Monthly Mini Review

Top half of the cover is a mist covered lake with a mountain and pine forest in the background, lower half is an underwater view of the lakeThe Girl in the Mist by Kristen Ashley, narrated by Hillary Huber – C Given that under the title is the subheading “A Misted Pines Novel” I assume that this is the first in a new series. Set in the fictional town of Misted Pines in Washington State but otherwise in the same universe as her other contemporary books (Hawk Delgado, Lee Nightingale and Joe Callahan, among others, all have cameos), the story is about a famous actress-turned-author, Delphine LaRue, who moves to the town to get away from a stalker who has kidnapped and raped at least two women and who has committed other crimes against Delphine’s former costars. She buys a house on the lake and has excellent security installed and is being monitored by the FBI and Hawk Delgado.

The closest house to hers belongs to Cade Bohannan and his adult twin sons and his teenaged, daughter.

Both Delphine and Cade are in their early 50s which I liked very much. The romance which develops between them is pretty much lacking in any kind of conflict. They are mutually attracted and while there is a bit of a slow burn, there is nothing keeping them apart and they resolve any potential conflicts very easily and straightforwardly.

(some spoilers follow). Continue reading

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