I’m over at Dear Author with a review of Bad Girl Reputation by Elle Kennedy. A bit of a mixed bag.
Category: reviews (Page 18 of 117)
In His Protection by Sandra Owens, narrated by Patrick Zeller. Enjoyable romantic suspense (mostly romance) and great narration but would have liked more of the dog!
I’ve enjoyed romantic suspense by Sandra Owens before and I love dogs so In His Protection caught my eye when it popped up at Audible. Unfortunately, there’s not quite enough of the dog – Fuzz – as I’d have liked. He does have a couple of pivotal scenes but the story is not very much about him.
Tristan Church is the chief of police in Marsville, North Carolina. The county sheriff is Skylar Morgan. (I admit I don’t understand why such a small area has two separate police forces but I’ve seen it in other books so I guess it’s a thing in the US, or at least some parts of it.) When Sky came to town to interview for the job, she met Tristan in a bar and they had a hot and steamy night together – first names only (her rule). Tristan was deeply smitten from the jump but when Sky returned to Marsville and realised who they were in relation to one another professionally, she pretended they’d never met and gave him the cold shoulder. Tristan has been trying to get her attention for a year.
Sky left Florida where she held a Chief Deputy position after a bad break up with a fellow cop. That man bad-mouthed her to her colleagues and started rumours she was dirty. She faced an investigation (she was cleared of any wrongdoing – she was actually innocent) and her reputation was severely damaged. She wanted a clean start but vowed not to date another cop. And what is Tristan? Argh.
However, the attraction between them won’t go away and when they are teamed up to plan the reopening of the Marsville UFO Museum (yes, that’s why it’s called Marsville), they’re forced into one another’s company even more and Sky’s fragile shield against his charm fails.
At around the same time, her ex turns up in town and someone burns down her apartment. Plus, there’s a deputy in the county sheriff’s department who has it in for her as well and after she fires him he makes threats against her. So there is a plethora of potential suspects available. It’s soon clear that someone is after something from Sky and won’t stop until they get it. This is where my biggest bone to pick with the story arises. Sky is an experienced and accomplished law enforcement officer. When Tristan asks her not to go anywhere alone it’s only because she’s a woman. There’s just no way he’d have made the same request had Sky been a dude. And, Sky went along with it rather than calling it out as the gendered BS it was! *frowny face*
The author does turn some things around though and Sky does get to do some heroics – just not without some Special Forces officers to help. Male of course. (Tristan’s brother Kade is a Ranger. He has another brother, Parker, who is the fire chief and a talented artist.)
The problem with the plot is that for Tristan to be protective of Sky and do any rescuing (and really, rescuing is one of my very favourite things in romance!) because she’s as talented and experienced as she is, it only serves to diminish her. Not entirely and not always a lot – but enough that I noticed and it grated a little.
The push/pull of the relationship is Sky’s reluctance to get in a relationship where, if it all went wrong, she’d have to leave town and start all over again AGAIN. This a real risk for her. Tristan does not think the town would turn on Sky if they broke up but he’s 100% all in anyway and wants her to be his forever. I do like a man in pursuit romantically (and respectfully) speaking. There again, sometimes Tristan made choices to withhold information from Sky that may have spooked her relationship-wise but which she had a right to know professionally so that was a minus in his column. It wasn’t egregious though and, lucky for him, it wasn’t anything that put her at risk.
That said, Tristan also overtly recognised that she needed to stand on her own with her deputies and not interfere with her work and he did treat her with due professional respect most of the time.
The narration was really good. It’s been ages since I’ve listened to Patrick Zeller and I had to ask myself why that was. He has a great range of character voices – from Parker’s 5-year-old daughter, Everly, to the old town matriarch, Ms. Mabel Mackle, to different tones for each Church brother and beyond. His pacing and tone are great and I really liked the emotion he brought to the performance as well. Not overdone; just right.
I’m sure I enjoyed In His Protection more on audio than I would have in print because of the narration. Some of the things which bothered me about the story were easier to manage with Mr. Zeller in my ears. In fact, I liked his performance so much, I immediately went and bought another Owens/Zeller audio collaboration.
Some of the suspense plot stretched my credulity to the breaking level but I enjoyed the romance and I liked Sky and Tristan (most of the time) and I liked them together.
Grade: B-
I’m over at Dear Author with a review of Sailor’s Delight by Rose Lerner. Lots to like in this m/m romance between a navy agent and a sailing master set at Rosh Hashanah.
I’m over at Dear Author with a review of A Merry Little Meet Cute by Julie Murphy & Sierra Simone. Super hot, super funny and super sweet all at once. Recommended.
The Best Man Problem by Mariah Ankenman, narrated by Charlotte North. Didn’t love the conflict at the end but otherwise a fun listen with great narration.
I’m a big fan of Charlotte North’s narrations and this led me to try a new-to-me author so I can get more of her in my ears. The Best Man Problem is book two in the Mile High Happiness series but can be read as a stand alone with no problems at all.
Lilly Walsh and her two BFFs run Mile High Happiness, a wedding planning business in Denver. (I admit I don’t know much about the wedding planning business but the setup of Mile High Happiness seemed a little unusual to me in that it seems that Lilly does the actual wedding planning and the other two women run other aspects of the business.) The book starts with what I assume is the wedding of the couple who were the protagonists in book one. Lilly is a bridesmaid for her best friend and has a hot one-night-stand with a handsome man she meets in the hotel bar after the event. It’s unusual for her (not that it matters if it wasn’t) but Lilly had an amazing time and can’t stop thinking about the man she only knows as Lincoln. From their conversation in the bar, she believes he’s in town for business and isn’t staying so she doesn’t think there is any chance a relationship could come of it.
Then Lilly’s next clients come in and introduce their best man – and you guessed it: it’s Lincoln! Not only is he the best man but he’s moved to Denver after a messy divorce (two years ago) and in fact there is no barrier to a long term relationship for he and Lilly except for two things: Lilly has a strict “no dating a member of the wedding party” rule and Lincoln is soured on relationships and happy-ever-afters following the implosion of his marriage. Still, the attraction between Lilly and Lincoln is intense and they keep being thrown into one another’s orbit. Add to that a matchmaking bride and BFFs who don’t mind meddling and, as the wedding draws near, the couple are rethinking their attitudes.
I enjoyed the banter and the chemistry between the love interests and I liked the humour of the story and the general feel-good vibe of it. What I didn’t love is the conflict near the end. Lilly’s rule about not dating a member of the wedding party is as a result of a lesson hard learned and when she tells Lincoln about it, after the wedding and they’re free to explore things with each other, his reaction is pretty terrible. Lincoln’s ex-wife was a cheating cheater who cheated and he clearly has some work to do to put it behind him and be able to move on. As we all know, just because one relationship ends doesn’t mean they all do. The way he took his ex-wife’s behaviours out on Lilly was not okay with me. And, I didn’t really see him doing the work of processing his feelings so that I had confidence he wouldn’t massively overreact again. Lilly was altogether too forgiving in my view.
Still, overall, I did like both Lilly and Lincoln and I wasn’t unhappy they ended up together. It’s just that I’d have liked Lincoln to have either not freaked out the way he did or, having done so, made better reparations than a grand gesture. The man needed therapy!
Charlotte North’s narration was, of course, a delight and that made the story all the more enjoyable. Ms. North has a lovely tone and cadence to her voice generally which makes it pleasing to hear but she also delivers on character voices, emotion and humour. Her comedic timing is very good. I especially liked here that she had a distinct voice for all three of the ladies of Mile High Happiness.
The only thing I don’t love about Ms. North’s narration is a personal pet peeve when it comes to audiobooks. When there’s reference to a chuckle or a cough or similar, I want to either hear it in the dialogue or hear it described in words – but not both. She will do the “he coughed” and then make a coughing noise. Do not like. Like I said, this is a personal pet peeve and probably plenty of other listeners could not care less about it.
Most of The Best Man Problem was a lot of fun, though not without touching on some heavier topics (the bride Lilly is working with is a cancer survivor, cheating ex-partners on both sides and a problematic parental relationship) and the narration was very good. Lincoln showed his feet of clay near the end though and didn’t quite manage to convince me – though the epilogue some months later did help a little.
Grade: B-
Thank You For Listening by Julia Whelan, narrated by Julia Whelan. A delight for my ears.
Julia Whelan has long been one of my very favourite narrators. I love the way she presents characters, her emotion, her style, and, at base, I just like her voice. It’s very pleasing to my ear. She’s a talented actress who brings those skills to her performances as well and that combination is just killer. Any romance narrated by Julia Whelan will get my attention and so, as soon as I established that Thank You For Listening does in fact have a HEA, I was all grabby hands.
Sewanee (pronounced “Swanny”) Chester is an actress who lost her career when she also lost an eye in an accident seven years before the book begins. She turned to audiobook narration, at first in romance, under the pseudonym, Sarah Westholme. But Swan, as she most commonly goes by, doesn’t believe in love and happy ever afters and got out of romance and into general fiction, using her real name.
While at a book convention in Las Vegas, she meets “the rake” (the chapters have titles) and they have one hot night together. She uses the alias, Alice, on the basis of “what happens in Vegas stays in Vegas” and only knows Nick by his first name. His Irish charm is winning though and Swan keeps thinking about him when she returns to LA.
Swan’s beloved grandmother has dementia and is an assisted living facility. She will soon need more care and that is going to cost a lot of money she doesn’t have, so when a fantastic offer is made to revive Sarah Westholme one more time for a duet narration with the fan favourite, Brock McKnight, Swan says yes.
Brock is famously secretive about his true identity (think someone like Sebastian York – although Brock is emphatically NOT York – more on this later) but his voice has apparently melted panties all over the USA and probably parts of the rest of the world too. For myself, I don’t think of narrators quite that way. I do appreciate a sexy voice (I mean, who doesn’t?) but I don’t then sexualise the narrator. Apparently there are a lot of (mainly) women who do. There’s a whole world over on Facebook I’m only peripherally involved in. Brock is uncomfortable with the way he’s been sexualised by his fandom and doesn’t really love audiobooks or romance but he’s good at it and it’s a living. Brock has his reasons for the way he feels which I won’t go into here because spoilers but I admit I had mixed feelings about both narrators in the novel not liking romance. To be honest, I couldn’t help but wonder…
Which brings me to that “more on that later” I mentioned earlier. Right at the end of the audio is an author’s note chapter titled “on Autobiography” where Ms. Whelan talks about how the book came to be and specifically says that Swan is not her (even though they do share some commonalities, which she details) and that Brock is not based on any narrator from real life. Brock is a work of fiction and so is Swan. I was relieved to hear that Ms. Whelan loves her job. I’m really glad she included that chapter because as she mentions at the beginning of it, the nature of her actual job and the characters in the book mean there will inevitably be questions about just how fictional the story is.
Some of the book is nonetheless fairly meta – discussion about not outing a narrator’s pseudonym for example (don’t do that) and about some of the more rabid areas of the romance fandom are true, and the nuts and bolts of audiobook narrating are rooted in reality. Because of that mix of real and fictional, it was, I think, especially important for her to be clear and I’m glad she was.
Back to the book. As Sarah and Brock begin to record their duet narration for what is a serial to be released weekly in eight parts, they start to trade texts and emails and build a connection outside of work. It’s flirty and fun and sexy. They grow closer and eventually they decide to meet. In person. In real life. This is a BIG deal. Both are nervous.
For the listener there are many questions. Brock’s voice is not Irish so he can’t be Nick, so who is the HEA going to be with? Will there be a love triangle? Is Brock good-looking or does he just have a sexy voice? What will Swan think of him when they actually meet? Where’s Nick? Is he coming back or was Nick kind of a breaking of a seal which enabled Swan to open herself to Brock? Where, exactly was this promised HEA coming from? So many questions!
There are also family issues with Swan’s father and grandmother, unresolved issues related to Swan’s accident and her grief about it, the possibility of acting again with her best friend and fellow actor, Adaku. I have to mention that I fell a little in love with Swan’s mother’s new partner, Stu. He was so funny and sweet. I laughed hard at the text messages he sent.
Thank You For Listening is a hybrid of women’s fiction and contemporary romance but there is definitely a romance and a very satisfying one too. In some ways, it is two books, smushed together; there are particular sections which are very romance-y and others which are not. As for heat, there’s not a lot of on-page sex but what there is brings some steam. I didn’t feel robbed.
The narration, of course, is stellar. I very quickly cared about the characters and Julia Whelan’s vocal performance only added to my enjoyment. Because Ms. Whelan also wrote the book, she knew the characters inside out and that had to be an advantage when she was performing them.
Audio narration is acting and the best narrators do more than just read us a story. There’s a bit of discussion in the novel about AI maybe eventually being a significant player in audiobook narration and I cannot tell you how vehemently I rejected the idea. But, as the novel points out, there is an entire generation of listeners who may not know the difference. How sad that would be for them.
Grade: A
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