I’m over at Dear Author with Janine and a joint review of Remember Me by Mary Balogh. Not enough plot for me but enjoyable enough overall.
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Point Last Seen by Christina Dodd, narrated by Vanessa Johansson. Not my favourite.
I used to read a lot of Christina Dodd contemporary romances back in the day so when I saw the prequel novella Welcome to Gothic for her Last Seen in Gothic series on Audible as a Daily Deal I decided to give it a go. It was one of those rare prequels which was a complete (if condensed) story, complete with HEA and it inspired me to request Point Last Seen for review – officially book one of the series.
Whereas the novella included a time travel aspect, Point Last Seen doesn’t.
Gothic is a quirky town near Big Sur, basically owned by a famous acting family. The current “heir” is more of a self-help guru rather than an actor, with many businesses, a line of clothing and ready-to-eat meals. She owns most of the businesses in the town and leases them to the locals.
Adam Ramsdell moved to Gothic for unknown and secret reasons. He’s basically a loner and he likes it that way. He’s an armourer/metal artist. His introduction is more mysterious than it needed to be.
Despite Adam’s reluctance, he’s clearly been adopted by the town and whether he likes it or not, he’s part of them.
Adam is told by “Madame Rune” the local psychic to go to the sea and find a “lost soul”. He does, because reasons, and he finds a woman washed up on the shore. She’s bruised and battered, having clearly been the victim of some violence before ending up in the ocean. He can’t find a pulse but when he lifts her body to transport it, she spews out water and returns to life.
She is “Elle”. She knows there is more to her name but she cannot remember it. She cannot remember very much actually, the trauma of her “death” having caused amnesia.
Point Last Seen wanted me to accept a number of propositions I struggled with. One was not taking Elle to a hospital or even an actual doctor. No, instead Elle is taken to a vet (at least he was formerly a doctor – in the war in Korea) who does not even examine her. This woman had been strangled and drowned. These are things which need to be checked out.
The next was Adam and Elle sharing a bed almost immediately (non-sexually). I know there are romance reasons but I found it hard to believe someone who had been the victim of violence and who had amnesia would snuggle up to Adam the very same day he found her.
The day after, Adam and Elle were talking and Adam said “you know me” in the context of “you know me, I always do this”. When the fact was Elle didn’t know Adam – at all. There were a number of times things like this jarred me out of the story. It made me crabby.
It becomes apparent early on that Elle had been on a research ship in the ocean and had got into a fight with the funder of the expedition because of something illegal he wanted Elle to do which she refused. He was injured and almost killed. Elle went overboard. NOBODY LOOKED FOR ELLE. Logically the first thing you’d do when there’s such an incident (with funder of the expedition being found on deck nearly dead) is at least do a head count!
The villain was so much of a caricature – my eyes hurt from all the rolling.
But wait, there’s more. There was another villain too. This time it was Adam’s nemesis – he was also eye-rollingly bad.
In between those mysteries and the question of who Elle really is (and it’s clear some people in the town recognise her looks somehow even though they’ve never met her before), there is a lot about the quirky locals. There was a vast tonal shift between the serious danger Elle was in and these parts, which didn’t work for me.
Vanessa Johansson narrated both audiobooks. I enjoyed her performance well enough in Welcome to Gothic but less so in Point Last Seen. One of the reasons was that she chose to present Adam as hesitant and nervous – almost to the point of him having a bit of a stutter – when he wasn’t described that way by the text. There was also occasional confusion between which character was talking. Not often, but sometimes, the wrong character voice was used. The text did Ms. Johansson no favours though. I wasn’t enjoying the listen and that makes me prone to being nitpicky.
Point Last Seen was long. So. Long. The time period of the story was only about 3 weeks but the listen clocked in at 11 hours 19 minutes – but it felt longer than that. It could easily have been cut by a third with nothing significant having been lost. There was too much extraneous detail.
I did not enjoy this one.
Grade: C-
I’m over at Dear Author with a review of Unfortunately Yours by Tessa Bailey. Enjoyable catnip. If you enjoy a hero totally gone for the heroine this will scratch the itch nicely.
Forgotten in Death by JD Robb, narrated by Susan Ericksen. When I said I was right back into the series, I meant it!
Homicide detective Eve Dallas sifts through the wreckage of the past to find a killer.
The body was left in a dumpster like so much trash, the victim a woman of no fixed address, known for offering paper flowers in return for spare change—and for keeping the cops informed of any infractions she witnessed on the street. But the notebook where she scribbled her intel on litterers and other such offenders is nowhere to be found.
Then Eve is summoned away to a nearby building site to view more remains—in this case decades old, adorned with gold jewelry and fine clothing—unearthed by recent construction work. She isn’t happy when she realizes that the scene of the crime belongs to her husband, Roarke—not that it should surprise her, since the Irish billionaire owns a good chunk of New York. Now Eve must enter a complex world of real estate development, family history, shady deals, and shocking secrets to find justice for two women whose lives were thrown away…
Forgotten in Death is a twofer – two separate crime scenes a block apart, two separate murders decades apart. Are they connected? This one is a less ambitious story than the previous book with a plot which is somewhat disjointed at times but still entertaining. I did appreciate Eve taking the time to go back into the first victim’s past and setting that right (as right as it could be at least).
Susan Ericksen’s narration is a large part of the enjoyment. I recognised the regular characters by voice alone and I love the way she helps me connect to the new characters – some of whom have only very brief airtime. I know that she will deliver a great narration – it’s part of why I keep coming back.
I get through an In Death book very quickly – 3 or 4 days tops – and after 53 books, it’s impressive it still holds my interest so well.
Grade: B+
Faithless in Death by JD Robb, narrated by Susan Ericksen. After taking a break from the series, I’m right back into it.
What looked like a lover’s quarrel turned fatal has larger – and more terrifying – motives behind it…
The scene in the West Village studio appears to be classic crime-of-passion: two wine glasses by the bed, music playing, and a young sculptor named Ariel Byrd with the back of her head bashed in. But when Dallas tracks down the wealthy Upper East Side woman who called 911, the details don’t add up. Gwen Huffman is wealthy, elegant, comforted by her handsome fiancé as she sheds tears over the trauma of finding the body–but why did it take an hour to report it? And why is she lying about little things?
As Eve and her team look into Gwen, her past, and the people around her, they find that the lies are about more than murder. As with sculpture, they need to chip away at the layers of deception to find the shape within–and soon they’re getting the FBI involved in a case that involves a sinister, fanatical group and a stunning criminal conspiracy.
After a long break between In Death listens, I’m right back into the series. Faithless in Death is a strong entry into the series, with awful bad guys and a message about acceptance and a rejection of bigotry that hit the spot for me. Mavis and Leonardo are buying a house and there are updates with Peabody and McNab as well as the usual (welcome) interludes with Roarke and Eve. Susan Ericksen’s narration embodies the In Death series for me. Even if I read a book, it’s her voice(s) I hear in my head as I do. She’s consistently reliable and has a wide range of character voices – which is necessary with such a large recurring cast.
Grade: B
I’m over at Dear Author with a review of Funny Guy by Emma Barry. I liked Chick Magnet better.