Musings on Romance

Tag: AudioGals (Page 8 of 68)

The Secret Life of Albert Entwistle by Matt Cain, narrated by Simon Vance

The Secret Life of Albert Entwistle by Matt Cain, narrated by Simon Vance. Quiet and gentle second chance romance for gentlemen “of a certain age”.

Illustrated cover designed to look something like a letter or postcard, featuring the rear view of a slim grey-haired white man in a red, white and black Royal Mail uniform, a grey cat at his feet. His hands are behind his back and he is staring at pictures (postcards?) of various British things likee the Union Jack and a red double-decker bus.

 

The first thing you need to know about The Secret Life of Albert Entwistle is that it is a quiet book. Quiet and gentle. It’s the difference between a cosy mystery set in rural England and Law & Order: SVU. Don’t expect fast-paced revelations. This book is slower and mellower than many contemporary romances around the place. I had to deliberately switch gears to get into it.

Albert Entwistle is nearly 65. He’s a postman for the Royal Mail in the small town of Toddington in England’s north. He’s been a postie since he was 18 and left high school. He has a solitary life and very routine – he eats the same meals every week, he has a Crunchie bar (it’s a kind of candy/chocolate bar – honeycomb covered in chocolate = very nice) with his lunch every day. He keeps himself to himself. He has no friends, doesn’t engage with his co-workers and has only his elderly cat, Gracie for company. For many years he looked after his sick mother but she died 7 years earlier and he has been alone ever since. Even when it was him and his “mam” it’s not like they were close. She would berate and belittle him at every turn.

But Albert loves to dance and sing along to show tunes in the night time behind closed curtains where no-one can see. And he remembers his long lost love, George.

The book begins with Albert getting a letter from HQ which tells him his compulsory retirement is nearly upon him and then Gracie gets sick. Yes, there is pet death on page so beware (I cried). These events shake up Albert’s world and he vows to make some changes. He decides to find George.

It’s been nearly 50 years since their year together, hiding from public view and falling in love during their final year of high school. Back then being gay was only legal if you were over 21. At 17/18 it was a different story. And, even so, being gay in public was not okay and bars and clubs were regularly raided. In small town England the homophobia was even worse. (Be warned, there is quite a bit of homophobia in this book).

Interspersed among the story is a bit of the gay history of England since the 1970s – interesting, sad and enraging at turns. The main story is set in about 2019 I think, doing the maths.

In the course of Albert’s search he makes friends with a young Black single mother, Nicole, aged 19, who has a 3-year-old daughter Irene (“Reenie”). Nicole has a romance of her own (as well as POV sections) and I was very invested! In fact most of the romance within the book itself was for Nicole and Jamie.

Albert and George’s romance is told in flashbacks and what future they may have is still to be told when the book ends.

Albert also makes many other friends, including with a gay couple Daniel and Danny, who move into the neighborhood and many of his co-workers. He opens up, shows interests in others, releases the kindness he has been hiding and, he comes out. It’s a slow process but almost universally, the people he comes out to are very kind. It’s perhaps a picture of an ideal world but it felt a bit too “It’s a Wonderful Life” by the end.

The cast is large, with many of the other characters who go through their own life events during the course of the book. (Listeners should note that one of those life events is the death of a child – a relative of a secondary character – from cancer.) Albert is there to offer sage advice. He’s perhaps a little too perfect considering how very insular he’s been. It was just a little too saccharine.

Albert’s history of what is essentially abuse by his parents (of the emotional kind and a little bit of the physical from his dad, especially when his dad found out Albert was gay) is very sad and difficult to hear. What’s even sadder is that there are many teenagers who experience this kind of thing even now. There’s also some explicit depictions of casual homophobia, racism and gay bashing so for all the gentle tone of the story there are serious topics being covered.

I did find it a little hard to get a handle on Albert. There was very little by way of physical description. I didn’t have a clear view of him really. I know he’s got gray hair and he’s 64 and I gather he’s fairly fit because he walks a lot but as for physicality, he was a bit of a cipher. It seems he’s a young 64, initially hiding in an older 64-year-old’s body.

The narration is very good, with all the various regional accents being delivered skilfully by Simon Vance. Mr. Vance’s female character voices were very good too. Given the wide-ranging cast, Mr. Vance had plenty of opportunity to demonstrate the range of ages he can depict as well, from toddler Reenie, to Albert himself and many, many characters in between. There were also a range of characters of colour, including some from Pakistan and the accent there was well done and also respectful.

There were a few (perhaps more than a few) instances where there was a pause in a sentence where it didn’t belong, causing a bit of a stutter in the throughline. Sometimes I had to mentally replay the sentence to get the understanding. But there were no other issues of any significance and overall I enjoyed his performance quite a bit.

The Secret Life of Albert Entwistle was a change of pace to my usual listen – it was also sweet (if a little too much so at times) and gentle and kind and who doesn’t need a bit of that in their lives?

Grade: B

Book Lovers by Emily Henry, narrated by Julia Whelan

Book Lovers by Emily Henry, narrated by Julia Whelan. Loved it.

illustrated cover of a blonde white woman in a red dress in a red rowboat, reading a book and a dark-haired white main in a red top in a purple rowboat on the water with a pink, red and purple sunset in the background

 

It’s no secret that Julia Whelan is one of my favourite narrators. If she narrated more romance titles I’d be a very happy camper. In fact, the main reason I picked up last year’s Emily Henry release, People We Meet on Vacation was because Julia Whelan was narrating. This year’s offering, Book Lovers was on my radar because I enjoyed People We Meet On Vacation so much. (I’m saving Beach Read for when I need a pick-me-up.)

While People We Meet on Vacation and Book Lovers are very different books, they have the same vibe to them and the same glorious witty banter so I’m confident those who enjoyed last year’s book will enjoy this year’s too. And the narration is stellar so there’s also that.

Nora Stephens is a literary agent in New York. Her father walked out on her mother when she was still pregnant with Nora’s younger sister, Libby and it was just the three of them for a long time. When Nora was 20 and Libby was 16, their mother died suddenly and Nora was Libby’s guardian. Nora is fierce generally but when it comes to Libby she will do anything to make her sister happy and ensure her safety and well-being, including putting her own dreams on hold or passing on them completely.

Nora’s star client is a temperamental, high maintenance woman by the name of Dusty Fielding. When the story begins, Nora has just been dumped by her boyfriend who has decided to move to a small town where he’s met someone else (this is a thing that keeps happening to Nora) and she’s late for a lunch with editor Charlie Lastra. She’s trying to interest Wharton House books in Dusty’s latest novel but the pair do not get off to a good start.

Fast forward two years and the book Charlie passed on is a runaway bestseller and about to be a movie. Nora and Charlie have had nothing to do with one another since then but they bump into each other (repeatedly) when Nora and Libby go to Sunshine Falls, North Carolina for a month-long holiday. Sunshine Falls is where Dusty’s famous book is set and Libby is a mega-fan. In the past few months, Nora and Libby’s connection has stuttered and something is clearly wrong. Libby is five months pregnant with her third child and Nora is worried there might be trouble in paradise and/or something wrong with Libby’s health. Libby wants to get away before the baby is born and have a rest away from her two young daughters (aged four and two respectively) and begs Nora to go with her for the summer. Nora, desperate to reconnect with Libby and fix whatever is wrong, agrees.

As it happens, Charlie was born in Sunshine Falls and he’s there helping out his family after his dad became ill.

Dusty has written a new book and Nora is horrified to find that she, Nora that is, seems to be the inspiration for the main character – an acting agent with a reputation of being a shark who lacks emotion and heart. Stung, Nora decides to let loose a little and agrees to participate in Libby’s “list” of small town things to do when she is in Sunshine Falls. It’s a ridiculous list which includes things like “pet a horse” or “go skinny dipping” and “save a small business” but Nora will do anything to make Libby happy. The other problem is that the new book is fantastic – Dusty’s best yet. And for reasons, Charlie takes over the editing so Nora and Charlie begin working together on it over the summer.

Charlie has his own troubles with his family and not quite fitting into the Sunshine Falls aesthetic.

Whatever is going on with Libby causes Nora no end of angst as she schemes to identify the problem and fix it, just like she’s always done.

There are nods to common small town romance tropes which I heard as fond, including a very handsome horse farmer Libby encourages Nora to date.

But it is always Charlie Nora keeps going back to. They’re like magnets, always attracted to one another no matter what. After an unexpected kiss, Charlie tells Nora that it “can’t happen” between them and they skirt around each other for a little while but are inevitably drawn back together.

They have a delightful connection. They aren’t really enemies in my view but I suppose some might classify this as an enemies to lovers story. They aren’t ever truly mean to one another but they do a lot of sarcastic sniping – it never crossed the line for me. There was always an underlying attraction and chemistry which was obvious and a genuine care that shone through. Charlie agrees Nora is a bit of a shark but he loves that about her. He doesn’t want to change a thing. Nora, for her part, comes to realise that Charlie keeps things very close to his chest but once she gains a little insight she reads him like a book and realises there’s much more to him than she first thought. They have the best banter – flirty, funny, witty and smart and I was completely there for it.

The narration only highlighted all the good things in the text. I’m sure I enjoyed it more on audio than I would have in print simply because Julia Whelan’s narration is just that good. (On her Instagram feed there’s a sample of her doing Charlie’s voice and it is fire.) Charlie’s tones were husky and rich; like honey with just a touch of gravel in my ear (apologies for the mixed metaphor). The humour throughout the book is enhanced by Ms. Whelan’s excellent comedic timing and the emotion that breaks and reforms Nora was embedded in the performance too. There’s one particular scene where Nora’s voice has a hitch in it when she’s talking about something difficult and it was perfectly portrayed.

I always like lots of the love interests together in a romance and I got that in Book Lovers – Charlie and Nora spend a lot of time together and there’s plenty of evidence of just how much they belong together and how good for each other they could be if only they can find their way to a HEA.

There was a little too much bait-and-switch in the Libby subplot which I don’t think worked quite as well as the rest of the book but the romance was fantastic and the narration excellent. Definitely recommend.

Grade: A

When Blood Lies by CS Harris, narrated by Jenny Sterlin

When Blood Lies by CS Harris, narrated by Jenny Sterlin. Great story but I did not like the narrator’s Sebastian voice.

Night scene of a man in a great coat walking standing on the bank of the Seine looking toward the Ile de la Cite in Paris

 

The annual Sebastian St. Cyr mystery is always a cause for celebration but my anticipation this year for When Blood Lies was tempered a little by the news that Davina Porter, the narrator of all prior 16 books had retired and a new performer, Jenny Sterlin, was taking over.

Let’s face it, Davina Porter is a hard act to follow. And for listeners like me who have consumed the entire series to date via audiobook, her depiction of the characters is the benchmark by which any other will be measured.

The good news is that Jenny Sterlin sounds in many ways very like Davina Porter. In fact, there were times during the listen when I could believe they were one and the same (they’re not). However there was one important – and for me, crucial – difference and it made me wonder whether I will continue on audio for the next book or take up the series in print instead. That difference was Sebastian’s voice. For 16 books and something like 190ish hours I have heard Sebastian’s deep tones and it was with shock and dismay that I heard Ms. Sterlin’s version of him. He did not sound at all like Sebastian. He did not often sound much like a he to be frank. Ms. Sterlin is clearly capable of deepening her voice for male characters – there were plenty of secondary and side characters in the book for whom she did just that – but not for Sebastian. Almost every time he spoke I was disappointed because his voice was… well it was almost high (Some men have higher-pitched voices and for some characters that would be entirely appropriate but it did not work for me here at all). Even had I not previously heard Davina Porter’s version of Sebastian I would not have liked it but contrasted with what I have been gifted with previously it was that much more disappointing.

Sebastian is the backbone of the series. Had it been, for example, Jarvis’ voice or even Hendon’s, I’d have been able to move past it far more easily. As it was, I struggled with the listen. Frustratingly, there were times when Sebastian’s voice did sound deeper, most often when he was angry or frustrated, but when he was speaking normally, the pitch was too high and too soft and not at all Sebastian-like for me. It’s not that I needed him to sound the same as with Davina Porter’s depiction – of course he would not. Every narrator will bring something different to a performance. I was prepared for that. But Hero’s voice was deeper than his most of the time.

Usually in our reviews we talk about the story first and the narration last but in this case, I decided to switch it up because I had far more to say about the latter than the former.

As to the story, well, as usual it’s fairly hard to go into any detail without giving away spoilers. Sebastian, Hero and their family are in Paris looking for Sebastian’s mother. He does find her but she has been stabbed and thrown off a bridge and dies shortly after he discovers (in Chapter 1) her broken at the foot of the Pont Neuf. He is of course distraught and determined to find out who killed her and why.

As Sebastian and Hero investigate, Napoleon prepares to and then actually does escape from Elba and the St. Cyrs wonder how much, if anything, Sophie Hendon had to do with it. The whereabouts of a mysterious talisman becomes key to solving the mystery and their various enquiries lead the pair to encounter Marie-Therese of Angouleme, Hortense Bonaparte and the notorious police minister Joseph Fouche – to name only a few of the real-life historical characters in the book.

Unlike in previous books, Hero is not writing an article about the poor of London (or, in this case, Paris) but she is active in the investigation and a stalwart pillar for Sebastian as he grieves the loss of his mother and what could have been. There are also tantalising hints about the possible identity of Sebastian’s father so I expect more to come on that topic in the future.

At the end of the previous novel, Sebastian and Hero took in Jamie Knox’s son, Patrick. Predictably, Hero is not at all phased by raising him as her own and clearly both Sebastian and Hero love him but it was never explained in the book how others saw him. Patrick looks enough like Sebastian to be his biological son. Is this a scandal? What does Hendon or Jarvis have to say? There was a curious absence of conversation or explanation about this which felt strange in the circumstances. What story did Sebastian and Hero put out to explain Patrick’s presence in their lives?

As usual the history is meticulous and fascinating. I fell down a bit of a Wikipedia rabbit hole looking up information about the Reign of Terror and the return of the Bourbons and what happened after Napoleon’s escape from Elba. I enjoyed the different setting and “exploring” Paris in 1815. The detail about torture and executions was compelling if a little gruesome at times. Sebastian and Hero are still happy, in love and devoted to one another and their sons. It’s a recipe for a great book.

I struggled with the grade for the narration. There were a few stumbles which weren’t fixed in editing where the words were all correct but Ms. Sterlin tripped over them a little but no major errors. The characterisation was good and consistent with prior books. Had Sebastian’s voice been (consistently) deeper I would have rated it as a B+ at least. The narration wasn’t bad so I could not rate poorly. But Ms. Sterlin’s Sebastian voice did not impress me. However, with really only a small tweak it could be fantastic – maybe next time?

Grade: B/B-

The Wedding Crasher by Mia Sosa, narrated by Rebecca Mozo & Alastair Haynesbridge

The Wedding Crasher by Mia Sosa, narrated by Rebecca Mozo & Alastair Haynesbridge. A lot of fun and great narration.

illustrated cover with wedding scene in pink tones featuring a celebrant at the far end of the aisle with his hands raised in query/WTF and a sandy-haired white man in a tux being tugged by the blue tie by a Latina woman in a white top and jeans

 

The follow up to 2020’s The Worst Best Man, The Wedding Crasher features Lina’s cousin, Solange Pereira, and Max’s best friend, Dean Chapman.

The story is bookended by weddings – but I’m not going to say whose is at the end – you’ll have to listen to know. The wedding at the beginning is Dean’s – to Ella. Solange, roped in to helping out her makeup artist cousin, Natalia, at the wedding, overhears the bride-to-be professing her love to someone other than the groom. She’s not to know that Dean and Ella’s marriage was supposed to be a modern marriage of convenience. Still, exactly why Solange thinks it’s her place to stop the wedding remained a little unclear to me.

Because the marriage was based on friendship and mutual ambition, not ending up married didn’t crush Dean into dust – which does help him (and me, in the sense of believing him) when he falls into love with Solange only a few weeks later.

Dean is a lawyer for a big corporate firm on the partner track. He’s been working hard toward this goal for 8 years and it is within reach at last. A potential new hire (Kimberley) at the firm could bring with her a lucrative client (her father’s media business) and she has asked to spend time with some of the associates of the firms she’s interviewing with to get a feel for not just New York but the places where she might be working.

While the non-wedding didn’t damage Dean emotionally, it didn’t do him any favours professionally. An assumption is made that he’s crushed and therefore not the best person to show Kimberley and her partner around. If he can help lure Kimberley to the firm he’s a shoo-in for partner. His biggest rival (a jerk by the name of Peter) has also volunteered for the task. Peter is married so he’s likely to get the gig – until Dean concocts a story on the spot of he and Solange being old friends who realised they were far more to one another after the wedding-that-wasn’t. Now he just has to get Solange on board, keep up the lie to a suspicious Peter (they both get the chaperoning gig), lure the lawyer and win the partnership. Piece of cake.

Solange has a need for a fake relationship of her own as it happens. Her aunt and cousins from Brazil are coming into town soon and, following some peer pressure and family competitiveness, Solange’s mother has told them that Solange is at last in a happily committed relationship. No bother; Solange’s best friend is Brandon, her roommate. They can pretend to date while the cousins are in town. All good.

Okay, so the premise is pretty thin. But, if you can get past that (and I did) the rest of the story is fun, sexy and engaging. Dean has sworn off love for family reasons. Solange has vowed to never settle for anything less than true love for family reasons. Their chemistry is off the charts. Bingo bango bongo.

Peter tries hard to trip them up and set them up – which leads to some surprising engagements and steamy scenes which I won’t go into here. Again, fairly improbable but I liked it anyway.

The narration was great. Alastair Haynesbridge is a performer I’ve listened to before in a Cindy Gerard book and I was impressed by him then. Nothing in this listen changed that view. He has a touch of the Teddy Hamilton’s about him – he doesn’t have the same accent but there’s a similarity nonetheless.

Both narrators are called upon to say some Portuguese in the book. I’m no expert but the accent seemed pretty good to me from Mr. Haynesbridge. Ms. Mozo’s was better – likely from personal experience – but both were authentic.

The character voices of the various cast members were all very good, with the exception of one of Solange’s aunts who sounded (from Ms. Mozo) more like one of Marge Simpson’s sisters than I’d have liked. Otherwise, both performers gave a convincing depiction of the emotion on the page and brought their A-game when it came to Dean and Solange’s chemistry. There were perhaps a few too many improbabilities in the book but the strength of the narration easily overcame those issues.

Grade: B

Go Hex Yourself by Jessica Clare, narrated by Holly Linneman & Andrew Eiden

Go Hex Yourself by Jessica Clare, narrated by Holly Linneman & Andrew Eiden. Interesting take on magic, good narration, romance a bit of a mixed bag.

Illustrated cover largely in dark purple (nearly blue) featuring a dark-haired white man and a brunette white woman and a black cat.

 

I haven’t read or listened to a Jessica Clare book in what feels like ages. When I saw Go Hex Yourself, read the blurb and also saw that Andrew Eiden was co-narrating, I decided to pick it up.

Regina (Reggie) Johnson answers an ad in the paper for a personal assistant/familiar for spellcraft. She mistakes it as being related to a card game “Spellcraft: The Magicking” (which I imagine to be something akin to Magic: The Gathering) and applies. She’s had trouble keeping jobs in the past because she’s very particular about being tidy and organised. Some people don’t like her rearranging their things just so whether she’s been asked to do it or not.

It quickly becomes clear that Reggie is wrong about the card game but it takes her a long while to admit the magic that her new employer (yes, she gets the job and it pays a simply RIDICULOUS – high that is – amount of money), Drucilla (Dru) Magnus tells her they both have.

In this world magic comes from the Roman Gods (in particular Jupiter) sexing up the local populace way back in the day. From there various bloodlines of magic began. Familiars are usually sought from the Society of Familiars. Reggie, as a complete outsider and one who doesn’t even know about magic let alone believe in it, is a “mongrel”. But Dru is a 2000+ year old witch and very much not inclined to do things the way she’s supposed to. No, Reggie is who she wants and Reggie is who she’ll have.

Familiars wear a cuff on their wrist which binds them to their witch or warlock who then use the power of the familiar to amplify spells. No Reggie, that tiredness you’re feeling is not just low blood sugar.

Dru’s 500-year-old great nephew, Ben Magnus, a powerful warlock in his own right, disapproves of Reggie’s lineage and wants Dru to fire Reggie as soon as possible. So Ben and Reggie don’t get off to a good start.

However, they do seem to be thrown together regularly and over time they become friends. Ben even learns to play Spellcraft: The Magicking so he can spend time with Reggie doing something she loves.

When Dru is cursed, Reggie and Ben work together to find out who’s done the cursing and to break the spell before Dru dies.

And along the way, they fall in love.

There’s more to it; Ben and Reggie both have complicated feelings about their mutually terrible parents (the only difference being that Reggie’s are alive); it appears that all of Dru’s familiars have been cursed in the past and it seems Reggie might be next, Reggie’s BFF, Nick, starts a new relationship with hot military guy, Diego – and sends Reggie too many NSFW pictures and texts about it, Reggie makes a new friend in Penny who has been waiting for years for her chance to finally be a familiar.

The witches and warlocks in this world are, for the most part, morally grey. Sure there are healing potions and good luck charms but, for example, most of Ben’s work is in the corporate arena where he curses the competitors so the stock prices of his clients’ business goes up. Many of the warlocks are old white guys who are set in their ways and misogynistic. Ben is not a misogynist fortunately and he’s also very progressive -which often sets him at odds with Aunt Dru and his fellow warlocks. He uses his smartphone for scrying; Aunt Dru still uses entrails and a crystal ball.

I enjoyed the magic and the way the author mixed the modern experience with eye of newt and ear of bat and the like. I liked Reggie and Ben very much. But the part when the pair slid from friendly to in love passed me by a little. I think it happened in the space of a couple of lines of text which mentioned “two months later”. Unfortunately I didn’t hear much about those crucial two months and that meant the romance felt sudden and undeveloped to me.

The next thing I knew, Ben and Reggie were kissing and then they were haring off to find a cure for the curse that suddenly befell Dru.

There were at least two good options I could see for the culprit and the author did keep me guessing until right near the end as to the identity of the curser.

The narration from both performers was very good. Although, I did have a mental disconnect hearing Andrew Eiden’s voice for a character who was supposed to be a bit stiff and starchy and who was 500 years old. I do not associate Mr. Eiden with “stiff and starchy”. No he’s more warm honey and smooth charm. Ben’s not really that – although he is a sweetie. As much as I decided to listen to this book partly because Mr. Eiden was narrating, I don’t think he was the best choice for the character. Someone like Shane East may have been a better choice. Still, leaving that aside, the rest of Andrew Eiden’s performance was very good.

Holly Linneman sounded familiar to my ears but I haven’t listened to her before. She put me in mind of Amy McFadden a little (but with fewer tics) so for those who have enjoyed Ms. McFadden’s work before, Ms. Linneman will be a good fit. I liked her cast differentiation. My biggest criticism of her performance is that Dru didn’t sound old and even in witch years she was very old indeed.

Go Hex Yourself was a different take on the witch romance subgenre which seems to be very in right now and overall was an enjoyable listen.

Grade: B-

A Duke Worth Falling For by Sarah MacLean, narrated by Penelope Ann Rose

A Duke Worth Falling For by Sarah MacLean, narrated by Penelope Ann Rose. Entertaining with solid narration – though some issues with the English accent here and there.

picture of a dark-haired hot white guy with a close-trimmed beard sitting with an arm rested on a raised knee and looking over his shoulder to the side against a fuschia background

 

Originally published as part of the Naughty Brits anthology, A Duke Worth Falling For is now out separately on audio and via ebook. It’s novella length at just over four hours of listening and so isn’t a big time investment. The story is necessarily fairly contained but nonetheless complete.

Lilah Rose was on her way to being the world’s best portrait photographer, a kind of up-and-coming Annie Leibovitz. But then she “turned down the wrong man” and he blacklisted her. She lost her career and for the past 18 months, has been travelling around the world finding her place in it again. She has been working on a project photographing various sustainable farms and their owners in various countries. She hopes the project will relaunch her career. She has a 10 day break before the launch in London and, based on a recommendation from a friend who knows the duke’s sister, is renting a small cottage on the estate of the Duke of Weston for some R&R until then.

When she meets “Max” on the estate after he rescues her from a marauding ewe, she believes him to be a land steward. And he is. What he doesn’t tell her is that he is also Rupert Maximillian Ardern, 14th Duke of Weston. Max has been burned by people wanting pieces of him for what he is and not who he is – or perhaps for wanting him for the “duke” part and not the “Max” part. So when he meets Lilah he is delighted when she treats him like a normal person and he can be sure she isn’t after anything more from him than his company.

After an initial poor start – Max isn’t a fan of photographers due to his own experience with celebrity – he makes a neat apology and he and Lilah share a friendly game of darts at the local pub (where she kicks his ass). The attraction between them is mutual and powerful and before long they are in a full-fledged fling for the remaining 9 days of Lilah’s stay. Neither thinks there can be anything else.

Max, for his part, understands that Lilah wants to go back to her life as a celebrity/portrait photographer which will mean a spotlight he eschews. Lilah thinks Max is the land steward and tied to the Salterton estate.

But over the next few days, they fall deeper and deeper and each begins to think of a possible future.

Of course the big conflict between them is the glaring omission of Max’s true identity and so the path to a HEA is not smooth. There is a “me too” moment too and a confrontation with the Harvey Weinstein-esque character responsible for blacklisting Lilah all those months ago.

The narration was pretty good. It’s clear that Ms. Rose is American but her British accent was mostly creditable. There were a few mispronunciations. Some of them made me laugh. (Cornish pasties are foodstuffs and not things you put on your nipples to cover them when stripping.) The British accent dipped in and out on occasion but overall it was fairly believable. There were various brands of English accent displayed too – some from locals and some from the upper echelons of society. I did wonder a little at the toffy English accent given to Arty (or maybe that is Artie? – I don’t have the print version) who I had though was from India? But maybe I was wrong about her heritage.

Lilah, of course, is American, so Ms. Rose’s natural accent worked just fine here.

She had a pleasing depth to her tone for Max as well.

Max was a little clueless about a few things but loyal and loving and Lilah was fierce and brave. Together they made a formidable and rather delightful pair.

Grade: B

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