I’m over at Dear Author today with a review of Mistress Firebrand by Donna Thorland. I think it would make a great movie.
Tag: historical (Page 15 of 21)
Why I read it: This one is from my own audiobook library. I listened over Christmas as a special gift to myself.
What it’s about: (from Goodreads) As a lovely heiress, Roderica Delamore should be a prize catch–except for her shameful secret. She has the ability to hear the thoughts of those around her. Even her family and close friends can’t hide from her strange gift. Knowing that she can never marry, for no man could bear it, Roddy still longs hopelessly for a family of her own. Until she meets the man she’s been waiting for–the Earl of Iveragh, a mysterious Irish aristocrat whose thoughts are entirely closed to her.
The impoverished Devil Earl is damned in society by dark rumor and innuendo, and, for all she knows, he could be a liar, a rogue, or much, much worse. But Roddy must dance with him at midnight on All Hallows Eve, and entrust her life–and her heart–to a riveting stranger, called by his torment into the faerie mists to discover what she most fears about herself and her own magic.
What worked for me (and what didn’t): I read this book ages ago and it was originally published in the 1980s. I had fond memories of it. Listening to it, the story didn’t feel dated – or, at least, it felt dated in the time it was set, which is late Georgian England and Ireland. It’s quite an unusual book and different to Kinsale’s other romances in that it incorporates paranormal aspects. Roddy Delamore can hear the thoughts of others and for her entire life, this has set her apart. People see her as a freak and she feels she will have no life of her own as no husband will want her. When she happens to meet Faelan Savigar, the Earl of Iveragh, he is the only person she’s ever come across who’s mind is closed to her. It is pretty much that which decides her on him for her husband. She is wealthy and he needs money to repair his broken down estate. He is 35 and she is only 19 and very pretty and he can’t quite understand his good fortune to have attracted her but he is not one to look a gift horse in the mouth.
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Why I read it: I heard about this book on a DBSA Podcast so I bought it. I didn’t share the view of the two Smart Bitches who read and loved it. I can’t tell how much of that exactly was due to the audio format but I think if I’d read the book it still would not have been a resounding success, even though I’m sure I’d have liked it better. As it was, it was just okay for me.
What it’s about: (from Goodreads) Miss Prudence Merryweather Payton has a secret.
Everyone knows that she’s the only graduate from her finishing school to remain unwed on her fourth season—but no one knows why. With her romantic illusions shattered after being compromised against her will, Prudence accepts a proposal even though her betrothed is not exactly a knight in shining armor. When he cowardly pushes her out of their stagecoach to divert a highwayman, she vows never to trust another man again.
John Roark, Viscount Castleton, is nobody’s hero.
He’s a blue-eyed charmer with a mysterious past and ambitious plans for his future—that do not include a wife. When he finds himself stranded at a country inn with a captivating young woman, a delicate dance of seduction ensues. He knows he should keep his distance. And he definitely shouldn’t start falling in love with her.
When Prudence’s dark past comes back to haunt her, John must protect her—even though he risks revealing his own secrets that could destroy his future.
Trigger Warning: Sexual assault
What worked for me (and what didn’t): There’s a thing that happens sometimes when a book is “translated” into the audio format. There are things which don’t work as well aurally as they do visually. What A Wallflower Wants is a perfect example of when something doesn’t translate well to audio. It has a somewhat unusual structure. At the end of some chapters (but not all, let’s not worry about consistency) there is a section which I’ve seen (because a friend screen-capped a couple of pages and tweeted them to me) is in italics. It has a section break before it and it is clearly out of phase with the rest of the story. Even so, there is no time/date stamp above it. It is apparent that these events take place a few days into the future – eventually the book catches up with itself. They are always in John’s POV. This is made even more odd because when Prudence has a flashback they are always marked with a date/time to orient the listener (for example, “Four years ago”). It is only these odd little sections from the future which aren’t so marked. On audio they come out of the blue. There is no aural representation that we are moving into the future and that the section is not in phase with the rest of the story. It took me a while to work out what was going on. At first I thought it was a flashback but that didn’t make sense the more I listened. Eventually I asked on Twitter and my guess was confirmed. When I’m listening, I have only my ears to orient me to the physics of the story. I can’t easily skip around sections like I can in a paperback or a digital file and I can’t see the visual cues on the page. I can’t see the italics. This story flips about quite a bit – in fact, there was one part where I’d accidentally left my iPod running and I missed a couple of chapters and when I started listening again I didn’t immediately realise my mistake – I thought it was just the book messing with me again. (I did realise after a while and went back and listened to the bits I’d missed).
I read some other wonderful books this year but which were published before (in some cases, well before) 2014 and some which were published on audio for the first time in 2014. I felt they deserved a mention. In no particular order:
Mrs. Drew Plays Her Hand by Carla Kelly. I read this one because my friend Merrian sent it to me and because I was on a plane and needed a non-ebook to read during take-off and landing. I’ve been in a bit of a historical romance slump but this was a delightful surprise. I was inspired to then buy a whole pile of other Carla Kelly books (all of which currently languish on my TBR – the vast majority of books I buy do that. Don’t worry Carla Kelly books, you have some awesome company in there.)
I tweeted out my top 10 (or 12 depending on how you count them) books for the year on 17 December so those who follow me on Twitter will not be surprised by this list. Here’s the version with pretty pictures. It’s a list of books I liked. That’s it.
These are my favourite new releases for 2014. It’s not a best of because I’m sure there are many wonderful books on my TBR of Doom or which haven’t made it that far even. Besides, personal taste being what it is, what does “best” really mean anyway?
I’m not really ranking the top 10. They were all wonderful and memorable and enjoyable and I loved them. That said, perhaps the biggest surprise to me is that when I do a “favourite book of 2014. Go!” gut check, the 1st answer which pops into my head isn’t even a romance. (Do I need to turn in my romance card?) So, I guess, *if pushed* I’d say the number one read was:
The Martian by Andy Weir. It’s a cracker of a book. If a reader has any interest in sci-fi or space travel books at all, I highly recommend it. The science is sound and the writing is engaging and funny and the tension is dialled right up there all the way to the end of the book. You don’t have to be a rocket scientist (heh) to read or understand it (trust me on this) and did I mention that it’s funny? Continue reading
I’m over at Dear Author with some thoughts about getting past my Georgette Heyer phobia intimidation and listening to Venetia on audio, narrated by Phyllida Nash. Successful, but I’m glad I listened to this one.