Musings on Romance

Tag: Mary Jane Wells (Page 1 of 2)

Knockout by Sarah MacLean, narrated by Mary Jane Wells

Knockout by Sarah MacLean, narrated by Mary Jane Wells.  Fantastic. Loved it.

Beautiful and buxom dark-haired white woman in an orange/red gown showing some leg as she sits on a chaise and leans forward, one hand under her chin.

 

I enjoyed last year’s Heartbreaker so much that I was eager to listen to Knockout, the third book in the Hell’s Belles series (and I have Bombshell, book one on my TBL). That they are all narrated by Mary Jane Wells, a favourite narrator of historical romance, only made me more keen.

Knockout was even better than Heartbreaker and I loved every minute of it. Detective Inspector Thomas (Tommy) Peck and Lady Imogen Loveless have been circling around one another for 14 months. Imogen is the daughter and sister of an Earl, so is far above Tommy’s touch. But Imogen is attracted to Tommy’s wonderful muscles and his dark beard. It’s fairly obvious that Tommy has been gone for Imogen for ages. Their flirtation is sizzling and very amusing. Imogen is smart and funny, always ready with a quip. I laughed out loud many times during the listen.

A series of fires in the East End have both the Belles and Scotland Yard (most particularly Tommy) investigating. But the likely culprits are too close to home and the Belles aren’t sure whether they should trust Tommy with the information they have put together.

In the meantime, Imogen has acted outrageously one too many times for her brother, Charles, and he has decreed that she should marry. Imogen, not interested at all in an aristocratic marriage, decamps. Tommy is asked, by the Home Secretary at the request of the earl, to locate Imogen. Imogen is not hard to find if one knows her at all and Tommy does – so that’s pretty easy. But an attempt on her life convinces Tommy that Imogen needs protecting and he offers to do just that for the earl until the lady is safely married. Imogen, for her part, agrees to participate in the marriage mart in order to flush out some of the lords the Belles believe are involved in the fires and this puts the lovelorn pair in close proximity.

There is risk and adventure and tension as the lovers are in danger from the shadowy and powerful men who wish to shut down all investigation into the fires. Tommy has a chance to rescue Imogen and, in true Pretty Woman style, Imogen has a chance to rescue him right back. Anyone who knows me, knows I love a good rescue!

Mary Jane Wells has the chance to show off her accent work in Knockout – with a large cast from various classes, counties and countries. I particularly enjoyed how well and how consistently Ms. Wells differentiated between the Belles – Sesily, Adelaide, Duchess and Imogen. They each have a distinct sound and can easily be identified by ear alone.

Imogen has a pert and razor sharp wit and Ms. Wells’ comedic timing assisted the text to deliver it to my ears. Tommy is a delightful mix of pushover (so gone is he for Imogen) and tough guy and Ms. Wells added to that characterisation with her performance.

I hadn’t expected Knockout to be so funny. I’m not sure exactly why. But, apart from the swoony romance between Imogen and Tommy, the humour was my favourite part.

There is also a wonderful teaser at the end of the next book (Duchess’s book) which also promises to be a cracker.

Knockout is great. Recommend.

 

Grade: A

Heartbreaker by Sarah MacLean, narrated by Mary Jane Wells

Heartbreaker by Sarah MacLean, narrated by Mary Jane Wells. Great narration and a cracking story.

Fairly generic (but pretty) cover of a beautiful red-haired white woman in a gold/yellow ballgown against the backdrop of an outdoor scene all shaded in blue so she stands out even more. (I reckon the model is the same one as is on Lisa Kleypas's Devil's Daughter by the way.)

 

When I heard that Heartbreaker was a road trip book where the love interests were together for most of the story and that Mary Jane Wells was narrating, I knew this would be a good first Sarah MacLean historical for me to try. Until now I’ve only listened to one other MacLean – a novella length contemporary – A Duke Worth Falling For – which I reviewed here as well. I was not disappointed.

Heartbreaker is the second book in the Hell’s Belles series but it stands alone well. I didn’t have any trouble following the story at all and there were precious few spoilers for the prior book too, for extra bonus points.

Adelaide Frampton (aka Addie Trumbull) grew up in Lambeth, the daughter of the leader of the local gang, the Bulls. That didn’t make her protected or pampered. Instead, she was required to earn her keep by picking pockets and she became a most excellent “South Bank nipper”. After she’s grown up, her father, Alfie Trumbull, arranges to give her in marriage to the leader of a rival gang – the Boys – in order to unite the two groups. Adelaide isn’t keen on the match but doesn’t have much choice. However, at the wedding ceremony it’s clear that a takeover is planned – by her would-be-husband over Alfie’s gang or vice versa – and in the violent fracas (which ends with Alfie the victor and king of the merged “Bully Boys”) she is offered an escape by a mysterious woman.

That woman is Duchess of Trevescan, the leader of what will become the Hell’s Belles.

Five years later, when the main action of the book begins, Adelaide is well established in London society as a distant relative of the duchess and is close with her and the other Belles – Imogen and Sesily. The women have a powerful network of informants and helpers all over England, their goal to take down powerful men who, without their interference, would face no consequences for their terrible actions.

In Sarah MacLean’s Victorian England, a group of overtly feminist women are kicking arse and taking names. It’s fun to read about and obviously influenced by modern (and current) sensibilities. Heartbreaker is not designed and doesn’t promise to be truly authentic to the period.

The Belles’ network includes some rather improbable conveniences but it worked for the story and I was having a good time so it didn’t bother me other than that I noticed them.

Adelaide and the Belles are involved in a plan to take down the Marquess of Havistock, an evil man who makes money from child labour (something quite legal at the time, the story notes) and who has various other nefarious activities. His daughter, Helene, witnessed her father murder another peer and if the Belles can protect Helene long enough to bring the matter before the law, this time, Havistock is going down.

Helene however, has other plans, which put the Belle’s to scrambling. She is in love with Jack Carrington, the younger brother of the Duke of Clayborn. Rather than hide at the Duchess of Trevescan’s house, she and her beloved elope to Gretna. Hired by Havistock, members of the Bully Boys are following. If they’re caught, Helene’s life is forfeit and probably Jack’s too and Havistock will likely get away with it all.

Adelaide follows to ensure Helene and Jack’s safety but on the pretence of stopping the match (her alter ego being “the Matchbreaker”). The duke follows to stop Adelaide from stopping the wedding – he knows nothing of the Belle’s plans for Havistock and the other context around the pursuit – so as to ensure his younger brother’s happiness.

Thus the promised road trip begins, with Adelaide and Clayborn sparring (verbally) and trying their best to one-up the other. Mostly it is Adelaide who is the victor.

As it happens, Clayborn has had his eye on Adelaide for the past couple of years. He thinks she’s beautiful and clever. He’s even noticed her nimble fingers picking ton pockets a time or two and that hasn’t put him off. Adelaide for her part, admires Clayborn’s staunch advocacy in the House of Lords to end child labour but thinks him rude personally as a result of some interactions they’ve had on social occasions. (Of course, Clayborn had his reasons.)

Over the course of their journey, their latent attraction comes to the fore but a HEA for them seems impossible. Adelaide is the daughter of a criminal – indeed she is one herself. She still picks pockets (only for good, not evil these days). The duke has his own secret which led him to vow never to marry but even leaving that aside, he’s a duke.

However, in this universe there is a way for them to be together and over the course of their whirlwind romance (about 10 days I think) the barriers are brought out, considered, strategized upon and, eventually surmounted. It is, after all, a romance novel.

Mary Jane Wells is a favourite narrator (I have a lot of them, it’s true – I contain multitudes) and I knew I was in safe hands with her. As expected, she gave a very enjoyable performance, with good accent work, character voices, emotion and pacing. I had some mixed feelings about the character voice she gave Adelaide. Clearly, Ms. Wells wanted to make each of the Belle’s distinct. This left Adelaide with a bit of a wobble in her voice – the kind I associate with difficult spinsters from Jane Austen movie adaptations – so it took me a little while to get into the groove with it. However, Adelaide herself won me over and by about a third into the book I just accepted the voice as “her”. On the other hand, Ms. Wells’ tones for Clayborn, while familiar, were very very good.

There were a few occasions where Clayborn’s voice was used when it should have been Adelaide’s or vice versa and there was one time where there was a clear error but I don’t know whether it was the text or the narration. Otherwise however, Mary Jane Wells delivered a great performance and remains high on my list of favourite narrators of historical romance.

I’m very much looking forward to Imogen’s book which I think must be next. I believe she will be giving a certain police officer from Scotland Yard continued indigestion and it promises to be glorious. I can’t help but wonder if the mysterious Duke of Trevescan may turn up in book four?

Heartbreaker was a lot of fun. I think I need to check out book one, Bombshell, soon.

Grade: A

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